What the Lincoln Project Ad Makers Get About Voters (and What Dems Don’t)

100,000 Dead,” an ad from the anti-Trump super PAC known as The Lincoln Project, comes at you like a miniature horror film. It starts with a shot of seven white body bags, detailed enough that you can see the outline of limbs underneath, and the voice of President Donald Trump at a press briefing in February. The nation’s Covid-19 caseload will soon be “close to zero,” Trump says; his words repeat in an increasingly distorted voice, as the camera pulls back to reveal row upon row of body bags in the shape of an American flag. New words land on the screen with audible thumps: “100,000 dead Americans. One wrong president.” It ends with the faint sound of wind whistling, as if through a graveyard.

Down to the smallest detail, it’s a masterful nugget of compact filmmaking. And it helped draw attention to a renegade corps of Republican strategists, veterans of campaigns for George W. Bush, John McCain, and Mitt Romney, who are applying their attack-ad skills to their own party’s president—and going for the kill shot, every time. “Mourning in America,” their ad released in May, starts with a pointed reference to the Ronald Reagan slogan, then blames Trump for the full range of post-Covid despair, using images of hospital hallways, decrepit buildings and an upside-down flag. (Facebook slapped the ad with a “partly false” warning label, since it assigns Trump all of the blame for relief bills that were passed by the vast majority of Democrats in Congress.) “Debt,” released in late June, starts off like a History Channel documentary about the sacrifices made during World War II, and ends with an image of a Greatest Generation member, hooked up to a ventilator.

Some of the ads are running on TV, on Fox News or in battleground states. Some are simply released online, at a rapid pace. Many are based on assumptions that may or may not turn out to be true: that swing voters will be as unforgiving as Democrats about Trump’s Covid response, for instance, or that they’ll be bothered any more by Trump’s coarse rhetoric than they were, or weren’t, four years ago. Still, the Lincoln Project is clearly getting under the skin of the president and his supporters. And the evidence is not just raging tweets; in one of those Washington funhouse mirror moments, the Trump-friendly super PAC Club for Growth just released an ad attacking the Lincoln Project founders as if they were candidates themselves.

The Memo: Unhappy voters could deliver political shocks beyond Trump

The Hill logoAmericans are dissatisfied with the direction of the nation by a huge margin.

Their unhappiness is a bad sign for President Trump as he seeks reelection four months from now — but the discontent could also reshape the political landscape in a broader sense.

Pollsters have for decades tracked public satisfaction via the question of whether the nation is on the right or wrong track. Continue reading.

On the country’s birthday, Biden offers hopeful counterpoint to Trump’s message

Washington Post logoJoe Biden on Saturday offered a counterpoint to the dark and defiant Fourth of July message President Trump delivered at Mount Rushmore, striking notes of unity in a video and op-ed released on the nation’s 244th birthday.

The presumptive Democratic presidential nominee noted that the Founding Fathers were flawed, pointing out that President Thomas Jefferson owned slaves and that women were not granted the full rights of citizenship until 1920. But he said their ideas still offer hope.

It was a stark contrast with Trump, who focused Friday on the men who built the country, saying they are heroes and that those skeptical of the country’s founders are part of a “radical ideology” and a “left-wing cultural revolution.” Continue reading.

White House Trade Adviser Spins Wild China Conspiracy

Trump White House Trade advisor Peter Navarro used the long Independence Day weekend to spin a fantastical conspiracy theory that directly blames China for creating the deadly coronavirus, then sending “hundreds of thousands” of its people to the U.S. to infect and ultimately kill Americans.

“It is the Chinese Communist Party that is making us stay locked in our homes and lose our jobs,” Navarro, the author of the 2011 book, Death by China, told MSNBC’s Ali Velshi Friday afternoon.

“They spawned the virus. They hid the virus. They sent hundreds of thousands of Chinese nationals over here to seed and spread the virus before we knew,” he continued, refusing to respond to Velshi’s questions. Continue reading.

Kimberly Guilfoyle, Top Fund-Raising Official for Trump Campaign, Tests Positive for Coronavirus

New York Times logoShe is the third person in proximity of President Trump known to have contracted the virus.

Kimberly Guilfoyle, the girlfriend of President Trump’s eldest son and a top fund-raising official for the Trump re-election campaign, tested positive for the coronavirus on Friday before a Fourth of July event at Mount Rushmore, a person familiar with her condition said.

Ms. Guilfoyle traveled to South Dakota with Mr. Trump’s son Donald Trump Jr., in anticipation of attending a huge fireworks display where the president was set to speak. They did not travel aboard Air Force One, according to the person familiar with her condition, and she was the only person in the group who tested positive.

As a routine precaution, people who come in close contact with Mr. Trump are screened for the virus. Continue reading.

Trump and Pence are fine with their evangelical base dying — so long as the photo ops continue

AlterNet logoSing for dear leader; die for dear leader.

On Sunday, Politico posted a story speculating on whether or not Donald Trump, Mike Pence, and the rest of the White House team would have to “reassess” their demands that churches be allowed to hold unrestricted services during the COVID-19 pandemic despite numerous “super-spreader” events now demonstrating that it. Is. Not. Safe.

Politico needn’t have bothered. Only hours afterwards, Mike Pence was the guest of honor at a Dallas, Texas megachurch rally that featured a choir of 100 unmasked singers and a packed audienceeven as Texas reeled from skyrocketing new COVID-19 cases. There’s your answer, everyone who wasted their time wondering whether Trump and Pence would continue to risk the lives of their most fervent evangelical supporters in exchange for the visuals of crowds cheering them. They genuinely don’t care if evangelicals live or die as long as they can squeeze a bit of footage out of each event. Continue reading.

Trump got his crowd and his fireworks, and peddled his fiction

Washington Post logoThe setting for President Trump’s early Fourth of July celebration was magnificent, as the Black Hills of South Dakota tend to be. The scene was also full of painful history, willful ignorance and deliberate fearmongering.

Friday night, in an amphitheater in the shadow of Mount Rushmore, a military band played smooth jazz on snare drums and trumpets as the country sank under the rising number of coronavirus infections. Thousands of unmasked guests, awaiting the arrival of the president, sat shoulder-to-shoulder in black folding chairs tethered together in a kind of coronavirus chain of denial. The VIPs would, of course, be seated separately onstage — not six feet apart but not amid the storm of exhalations, coughs, vociferous cheers and sneezes. And just to add to the upside-down, inside-out madness of the mass gathering, Ivanka Trump, the president’s adviser and daughter, tweeted a reminder to be safe over the holiday weekend by social distancing and wearing a mask. Her nearest and dearest did not listen to the plea.

Mount Rushmore is painfully complex — much like America itself. The faces of four revered but profoundly flawed presidents were carved into the stone by a talented sculptor who sympathized with the Ku Klux Klan. The majestic monument — a testament to human tenacity — scars land considered sacred by Native Americans. Continue reading.

At Rushmore, Trump digs deeper into nation’s divisions

MOUNT RUSHMORE NATIONAL MEMORIAL, SOUTH DAKOTA — At the foot of Mount Rushmore and on the eve of Independence Day, President Donald Trump dug deeper into America’s divisions by accusing protesters who have pushed for racial justice of engaging in a “merciless campaign to wipe out our history.”

The president, in remarks Friday night at the South Dakota landmark, offered a discordant tone to an electorate battered by a pandemic and seared by the recent high-profile killings of Black people. He zeroed in on the desecration by some demonstrators of monuments and statues across the country that honor those who have benefited from slavery, including some past presidents.

Four months from Election Day, his comments amounted to a direct appeal to the political base, including many disaffected white votes, that carried him to the White House in 2016. Continue reading.

The ugly truth of Donald Trump’s flag-flapping fakery can no longer be ignored

AlterNet logo“Performative patriotism” is a fancy way of describing what my father — a veteran of World War II who rarely spoke about his service — called “jelly-bellied flag flappers.” Dad always laughed at those phonies, but we now suffer a president who is exactly that type, only worse. And Donald Trump’s flag-flapping fakery is no joke.

A performative patriot is someone who, like Trump, oversells his supposed love of country, his reverence for the Stars and Stripes and, especially, his indignation at those whom he suspects of lacking his deep fervor. Such a figure will, like Trump, attempt to market these counterfeit emotions for his own benefit. And like Trump, that loud jingo is someone whose character will lead to a betrayal of American values.

Sooner or later, the true nature of the performative patriot inevitably emerges. Americans have observed this unwholesome process with Trump, whose fascistic impulses were all too plainly displayed from the beginning. Yet many Americans, including more than a few of those reporting on him for media outlets, turned their gaze away from the evidence of his perfidy. Continue reading.